The artists of Signal to Noise Ratio came up with an idea to create their own musical style they refer to as "uncramped music". Both evanescent form and no binding stylistic obligation seem to prove that they have succeeded.

The songs of SNR are usually characterised by latitude of form varying from one concert to another and include a great number of improvised passages. While listening to the compositions of the group, one can easily find the traces of psychedelic ambience and (Polish, Arabian, Indian) ethnic music. The band is constantly looking for unconventional music solutions and original style resonating with traditional coarse rock of the turn of the 1960s and 1970s as well as with modern electronic music.

At concerts, the musicians often combine their composition with ones by classics like Pink Floyd or The Doors. They also perform psytrance pieces live. SNR often collaborates with guest musicians; live performances and studio recordings feature female vocals and variety of instruments such as viola, flute, oboe or goblet drum. The group is also trying to transcend strictly musical acts - the concerts are enchanced by visuals, the band also performs their own soundtrack for Victor Sjöström's silent movie "The Phantom Chariot".

an interview for Nucleus (2005), an interview for ProgArchives.com (2011)

"Stan nieustalony" LP reviews:

Progressor, ProgWereld, Aural Innovations, DPRP, RockAdvice, Music In Belgium, Ragazzi, Sea of Tranquility

"Stan nieustalony" EP reviews:

Psyche van het folk, Overhook Music, ProgNaut, Prog-résiste

second demo reviews:

"Get Ready to Rock!" (VIII 2004), "Psyche van het folk" (IX 2004), Progressor (X 2004), Prog-résiste, MovimentiPROG (II 2005), Prognaut (VIII 2005), Axiom of Choice (IX 2005), Progressive Rock & Progressive Metal (XI 2005), Real Art - russian, english (III 2006)